Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Baron Jean-Baptiste Regnault
The judgement of paris

ID: 89554

Baron Jean-Baptiste Regnault The judgement of paris
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Baron Jean-Baptiste Regnault The judgement of paris


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Baron Jean-Baptiste Regnault

Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.  Related Paintings of Baron Jean-Baptiste Regnault :. | L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE | The Threrr Graces (mk05) | Socrate arrachant Alcibiade du sein de la Volupte | The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd | Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure |
Related Artists:
Vyacheslav Schwarz
painted The Spring Pilgrimage of the Tsarina, under Tsar Aleksy Mihailovich in 1868
Leo Putz
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Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.






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